Dec 14, 2011
Dec 11, 2011
emerging from hiatus for a modest proposal
Dec 10, 2011
The 308 will be undergoing a hiatus on Marie's part as well
Dec 5, 2011
What to do when you're bored-Christina
Further Holiday gifts for...-Marie
Holiday gifts for...-Christina
Dec 4, 2011
Places we enjoy in New York City
Christina-Amazing delicious heaven god allah yahweh sauces with a lil-crispy chunky belgium fries in a cute cone.
Marie--Let's not beat around the bush here. Some places are popular for a reason. Pommes Frites is pretty consistently packed, and that is because it's really fucking delicious. Get the black truffle mayo or mix the mango and chili sauces. Nnnf.
2. The Strand
Christina-So many books. NO CHAIRS. find a book then go downstairs to the law or criminal section (oddly close...) and sit down and read semi-guilt-free.
Marie--A chair, a chair, my kingdom for a chair. But it's no biggie, because the Strand is pretty dang rad and you can find all of the esoteric and out-of-date history books you'd ever need there, as well as a fine selection of everything else (unless you're looking for a very specific book, for some reason. Then you're screwed)
3. Search and Destroy
Christina-Everything is too expensive but it's nice to be stroll around amidst the porn and leather.
Marie--the prices aren't TOO bad and most things are great. This is the only place I've ever been too that plays Oi! on the sound system, though, so I might be biased in their favor.
4. Caracas
Christina-Yummy arepas full of the best meat and freshest food. A bit pricey but their flan is sweeter than your mama (that is now a phrase).
Marie--Get an arepa. Oh my god. The best. You should also buy a can of Colita, which tastes a little like bubblegum but mostly like falling in love.
5. Veselka
Christina-Pierogi. 24/7. And a surprisingly delicious Beet Salad. The sausages are also deliciously tender and come from the butcher shop across the way. They also have a cookbook!
Marie--Pierogies.
6. Landmark Sunshine Cinema
Christina-This tiny-but-tall theater has all the artsy farts films as well as classics. Tickets are a bit much ($13), but you where else are you gonna get your almadovar fix?
Marie--This place is so cool and I want to make out with it oh my god. Um. They play some incredible classics (term used loosely to encompass every film I enjoy) at midnight, and you should absolutely check those out. They also show new-but-slightly-obscure stuff, if you're into that kinda thing (I am).
7. Housing Works
Christina-It's a great artistic community and location for events. There's a cafe and fashion section as well! It's volunteer-run and goes towards supporting AIDs victims and family.
Marie--Housing Works is really just fantastic. Even if you're not looking for something to read, the events of theirs that I've attended have been insanely great. As Christina mentioned, they promote some insanely good causes, so don't feel bad about blowing all of your money there.
Dec 2, 2011
Guilt
So hheeerrreeee IIIIII ammmmmmmm
Another habit I have is that I buy too many books. Powerwalking by the plastic, too-rickety-for-comfort tables full of books on 4th St., I can never resist pausing for a moment (or at least reading the covers as I keep powerwalking). I have two 3-foot long bookshelves at my NYU-provided desk (which is decent if a bit cramped). One is full of my CDs (to sell, I'm not that narcissistic) and tea, the other full of books I haven't read. The books I have read are few and are under my bed (I really can't give you an answer to why). It's a habit I always remember having. I just buy books. I can even research which books to buy through reviews and wikipedia and awards and I'll buy them but rarely do I actually read them. Actually, when I'm looking for something to keep me warm and intelligent all through the night I often just buy another book and read it instead of going back to the BOOKSHELF OF GUILT.
I like to think I buy books to give myself some semblance of intelligence. "Look at all the books I intend to read. I'm so wanna-be-intellectual." But does that count? If you want to get knowledge, by buying books or signing up for classes, does that show the same perseverance as someone who follows through on a few of them?
I'm just wondering, if I get 10 books that I don't read but I know the basics about and one day want to read, does that equal actually reading one book?
I really hope so.
____________________________________________________________
Before watching Treme, the only jazz I truly enjoyed was Charles Mingus. And only Black Saint and Sinner Lady. And really only Track A and Track B. But if I could only listen to a few songs for the rest of my life, those songs would be on the list.
I am tempted to go on a paragraph-long spiel that details the amazing journey of these songs, but I realize that 1) I sound like a douche and 2) it wouldn't do justice to the songs.
Instead, just buy the CD and listen to it, you heathens.
-Christina
p.s. If anyone knows anything about turntables, can you comment some advice? Marie and I are looking to buy one. Our budget is about $50 to $75 total. :D
Nov 30, 2011
My adventures in linguistic determinism, or, why I am the equivalent of a Spanish ten-year-old.
(This chunk of whatever is from last year and cross-posted from my other, secret, shitty blog. I still like it, though. It has been mildly edited, mostly because I wrote it at like 2AM on a Wednesday night)
There’s one concept we went over in Psych class this year that really stuck with me: linguistic determinism, or the theory that (loosely worded) the language one speaks affects one’s thoughts. I guess this concept fascinates me so much because most of the things we learned about in Psych were interesting, but so obvious and observable as to be pointless—after all, it’s plain to see that people help those who help them first, or that people will continue behavior that they receive rewards for. However, linguistic determinism is the kind of thing I never would have been able to put into words previous to Psych, despite seeing its effects firsthand.
I’m in a strange place, linguistically speaking. English has been my first language for seventeen years, and I don’t take that as a casual circumstance—throughout my entire life, I’ve been more or less obsessed with the English language, and I’ve never once struggled with the concepts and rules that have always seemed to plague my peers. Speaking and writing and reading in English come as easily to me as breathing, and at this point in my life I’ve grown incapable of understanding the difficulties that others have with these things, simply because not knowing how to employ English seems to me like not knowing how to use one’s limbs.
However, I’ve also been a student of Spanish for six years, and in that time, I’ve become more fluent in the language than is generally expected of a painfully white high-schooler. I can communicate my ideas efficiently, I can read and analyze Spanish literature from pretty much every era, and all in all I would say that I am very capable in the realm of the Spanish language, although my vocabulary sometimes suffers due to not speaking Spanish outside of a classroom environment.
I have one problem that a dictionary cannot really solve, though. I find that in class, when I am assigned an essay or analytic questions for a piece of literature, I struggle with the assignment much more than I would in my regular English class (the coursework of which is basically equivalent to my AP Spanish class).
But this makes sense, you say (possibly)! It’s only natural that I find the assignment more difficult—after all, I am undeniably a more accomplished speaker of English, and that aforementioned dearth of useful vocabulary is surely harmful! Indeed, this accounts for any mechanical difficulties I may experience while writing. I am not focusing on these particular problems, though, which can be overcome quite simply with a tiny dictionary and a cool head.*
The trouble is this: when I am planning out an essay or trying to answer a challenging thematic question, I struggle with the concepts themselves, a difficulty I almost never have in my native language. In English, I am the undisputed master of essay-writing and analysis—in Spanish, I produce work that the English-speaking me would raise an eyebrow at.
It seems to me that my thought processes grow, if not actually simplistic, then certainly more muddled when I am thinking and writing in Spanish. I am so used to having a plethora of very specific, meaningful English words at my disposal when writing essays that when I set pen to paper in Spanish class, the ideas that I connotate with those words might as well have vanished into thin air. I have so many more limits in Spanish, because the thoughts that race through my brain when I am writing in English can only break through that language barrier to a certain extent.
I do wonder if this is the heart of linguistic determinism, or if this is a peculiarity specific to me and any others at my levels of fluency in two separate languages. I deeply suspect that even if I attained perfect fluency in Spanish, I would still encounter similar mental roadblocks. I also suspect that I would start to run up against them in English as well, though—a phenomenon that I can already start to see when I read very capable English translations of my favorite Spanish stories and am left cold.
At the risk of verging on the depressingly obvious, the world is full of different languages because each language is different. If there were one universal language where the thoughts and ideas of every culture could be perfectly conveyed, then we would almost certainly be using that language.
However, there is no such thing, because the little differences in structures and tenses and pronouns have, I think, a vast psychological effect on the individual. There are phrases in Spanish which I can understand perfectly in context but could not translate into English for the life of me, and vice-versa. What does this indicate?
Well, I’m sure it indicates a bunch of different things to a bunch of different people, but to me, this suggests that fluency is not just a matter of understanding a languages, but living it—I can speak Spanish until my throat dries up, but I won’t know Spanish until it, like English, comes as easily to me as breathing.
*and it's a well-known fact that nothing is cooler than a tiny dictionary
Things that I hate for little to no reason: part 1
- Foosball
- Popcorn
- Fingernails/toenails/bellybuttons
- The Rolling Stones
- Sandals of any variety
Nov 23, 2011
The OTHER 308
There is ANOTHER 308 blog.
I now pronounce them our unofficial sister blog (unofficial cause they don't know).
The (other) 308 has provided the world with such scintillating quotes as:
"OH GOD I JUST HAD A RAMPANT FART"
and
"I want to do shrooms, they’re cute!"
The few. the proud.
-The 308
3:24 AM Post
Nov 22, 2011
Rest and relaxation
What do you do to relax?
Yet another 18-year old girl hypothesizing about something she doesn't know shit about.
From the Beetroot art group
Nov 21, 2011
No place for ironic fugly sweaters here
Yet another fullstop in my search for a great all-ages, no-cover jazz venue. (next stop is Fat Cat)
Disappointments keep piling on. In addition to the $40 ticket, there’s a $12 meal minimum. Which is easy considering that’s the price of the hummus appetizer. I puncture the plain, applesauce-textured slush pile and wait for the only reason I’m here: Allen Toussaint.
Allen Toussaint is a legend in the New Orleans jazz scene and he knows it. After an introduction and few apologies from the Joe’s Pub manager, Toussaint emerges from the velvet black curtains.
In a sparkly tuxedo. Sparkly. Tuxedo.
Sparkly.
Tuxedo.
The best part? It doesn’t fucking matter. Yes, he may look like a washed-up 3PM game show host, but I don’t really care. (Although I’m slightly disappointed by the simple setup: no drums or bass. not even a trio Toussaint? a trio?). Because Allen Toussaint is first and foremost a storyteller.
Toussaint’s fingers spread, spring and bounce up and down the piano keys, it’s as if the last 50 years haven’t happened. Rock, hip-hop, rap, dub-step have all been erased and you’re kicked down the well of history to land in the South in all its jazz and blues glory. Toussaint begins with “Southern Nights,” which is a catchy, nostalgic lullaby. He then goes through some of his classic songs, finishing each with a song about the characters. But his masterpiece is his final song.
Toussaint lulls us back in a full circle. We recognize the “Southern Nights” piano riffs, high and lazy, laid back to the point of being out of tempo but it still makes it. Toussaint soothes us with the piano as he begins to tell stories of traveling to visit his Creole relatives, his low baritone voice raspy, he smiles a little between each memory and each riff. He spreads a web around us and we see the Southern Nights as he did as a kid. Houses a shotgun apart and bleached bone-grey. Aunts with funny names and accented tirades who can smother you in too-large bosoms, dying from love and maternal warmth. Lounging safe and warm on a porch engulfed by a blackness and silence unknown in the city. His music becomes a magic act has he conjures up this Southern Night In the middle of the afternoon in the middle of New York City. Its a blackness that covers and soothes everyone in the room. And when you leave the light's a bit too bright and the city a bit too loud.
Song as a story. I'm disappointed that it's a surprise.
Let's talk about webcomics!
(((* XKCD, guys. XKCD. I'm not necessarily recommending that you read it, but how hard is it to remember four letters?)))
- Saturday Morning Breakfast Cereal--In recent years, this strip has grown in overt nerdiness, but it has remained consistently funny. If you don't like math/science/existentialism jokes, just start reading from the beginning.
- Hark! A Vagrant--mentioned above. Although a lot of the strips center around historical figures or classic literature, the strips are generally pretty funny even if you have no idea what Beaton is talking about.
- Left-Handed Toons--The art is maybe not much to write home about, but if you are a fan of weird, lighthearted humor, then this is your comic right here.
- Pictures for Sad Children--on that note, if you are a fan of extremely weird and not at ALL lighthearted humor, boy have I got a comic for you! It's not completely comprised of standalone strips--there are some short plotlines scattered throughout--but for the most part it fits most effectively into this category. This is totally my favorite webcomic. Fair warning.
- Scenes from a Multiverse--This strip is written by the creator of Goats, a very popular webcomic that I actually don't really like at all. Imagine my surprise when I realized that SfaM is pretty awesome. It can be a little dorky/lowbrow at times, but the art is bright and fun, the concept is cool, and the strips are frequently hilarious! Worth an archive trawl just to find the bunny strips.
- Gunshow--Gunshow is hilarious and frequently horrifying. As with PfSC, there are some independent plotlines within the archives, but unlike PfSC, these plotlines do not make you want to cry (usually). The art is also distinctive and great.
- Octopus Pie--With an art style that somewhat evokes Scott Pilgrim but is entirely awesome in its own right, Octopus Pie is just plain fun to look at. It is also incredibly fun to read, and at various times will have you laughing hysterically and clutching at your sad, broken heart. It centers around protagonist Eve Ning, her roommate, and their various friends and coworkers, and is divided into short chapters that make the reading process 100 times less likely to give you a headache.
- Johnny Wander--Johnny Wander is a webcomic about webcomic artists, basically, which sounds annoying but is actually really great. Most of the strips concern the two creators (who are totally together--awwww!) and their group of friends/roommates/fellow totally rad artists, and every now and then there will be a small fictional story that is generally gorgeously drawn. Funny, sweet, and low-key.
- Questionable Content--Now, I'm not sure I really recommend QC as such, but it is one of the most popular slice-of-life webcomics, and was definitely pretty good for a couple of years. At the very least you should click between the first and most recent strips and marvel at how much the art has improved. Creator Jeph Jacques also supports himself entirely off of profits from running QC, which is pretty cool! Gosh!
- Gunnerkrigg Court--every time I try to summarize this comic I make it sound like Harry Potter, so I'm not even going to try. Let's just say that it has a very interesting story full of, you know, mystery and stuff, and is currently ongoing. The art is lovely and moody and frequently influenced by some pretty cool mythology!
- Bad Machinery--everything that John Allison writes is perfect. If you really want to challenge yourself, read Scary-Go-Round, the precursor to BM--but you don't have to! BM is a charmingly weird comic about a group of British kids who sometimes solve supernatural mysteries and mostly argue. It is notable both for its art, which is really fantastic but not to the point of distracting one from the actual goings-on of the plot, and its dialogue, which is comparable to that of Joss Whedon in the sense that no children actually talk like the kids in BM do and yet it still seems totally believable.
- Breakfast of the Gods--This is so stupid and so, so epic. In the classical sense. Also it is complete, so no waiting around for updates.
- Doctor McNinja--It took me literally two years to read this comic because I thought the first chapter was stupid. It kind of is, but if you forge onwards, this turns into one of the more hilarious comics in existence, and the art looks like it belongs in a real-people comic book, even! Actually, real-people comic book art is mostly shitty these days, so ignore that. I don't want to spoil any of the plotlines. They are all great.
- Friends With Boys--This is no epic, but it's charming nonetheless. FWB will eventually end up as a legitimate graphic novel, but the author is posting it online first. The art--as is most of these plot-heavy comics, I guess--is superb, and while it's not action-heavy, the characters and the various mysteries lurking in the background should be enough to keep anyone satisfied.
- Monster Pulse--this comic is a pretty new one, but the unique art and concept already guarantee its status as a worthwhile read. It has a pretty simple sensibility, though, so don't come here for scathing wit and convoluted plot machinations.
shameless plug of my new radio show-Christina
New Midnight Society is a forum for burgeoning and established writers in the NYU community. Writers will be able to read and showcase their material during this WNYU.org show, which airs every Sunday at 4:30 PM. Please submit a 5-15 min. work to stories@wnyu.org.
it also happens to be hosted and painstakingly edited by Christina Li
I hope for it to go on air in December 2011
Nov 20, 2011
Up a goddamn mountain.
'Sup. This is Marie. I don't know why I'm saying "'sup;" it's my least favorite word in the English language. Not that it counts as a word, being a complete bastardization of everything dear to linguistics. Anyway! Yes!! Hi!!!!!!!!!
Nice use of exclamation points. "Now we should talk about what we're going to post"-Marie
thank you marie
"will you keep quoting me if i keep saying things?"Marie
No.
Anyway, what we're going to talk about. Well I'm trying to get more into jazz music and music journalism so I guess I'll be trying that out here. What else what else. I don't do a lot of "commentary" things because my thoughts seem idiotic and banal two days after writing.
Future discussion topics? Alright! So, I am NOT a music journalist (although I like to think my ability to think up satirically pretentious Bon Iver reviews on the fly is unmatched). I will probably be posting, uh...man, Christina, watching me type. Awkward. But anyway, you might see some (mostly unserious) creative writing from me, as well as endless endless endless commentaries/diatribes on whatever topic. I do sometimes write poetry, but it's not the "big words and white person angst" kind of poetry so you can stop hating me now, yay!! I once co-wrote a play about wizards (you can totally hate me for that). I was going to make a C++ joke to go with Christina's html joke but I have forgotten everything I ever learned. Christina, take the keyboard away. I'm just going to keep typing. Stop me. Stop me. Type type type
You shame me. Well I have some ideas for future posts. mainly. 1) thoughts about the Allen Toussaint show I just saw (which will condense into a review for Washington Square News). 2) Ayn Rand "Fountainhead" bashing and 3)books I've read/music listening to. Right now I'm reading The Moviegoer and I'm excited to read Berstein's The East, The West, and Sex. I feel like during that post I will have lots of identity-crisis asian-female-objectification rants so be prepared. Oh and ask Marie to make you a mixtape. They're awesome.
My mixtapes are the literal fucking best. They will rip everything you have ever known away from you and leave you crying, naked and alone, on a windswept plain of painful epiphany. They are also pretty good to dance around to and snap your fingers all funky-like! OH HEY I forgot to mention that I will probably be posting reviews of movies and books and other forms of readily consumable entertainment! As far as my first proper post goes, I think I am going to talk about webcomics, which is. You know. Pretty cool.
Still Marie talkin' here. At Christina's suggestion, I am going to wrap this post up with a tiny playlist (compiled by the both of us!!) because music hey why not. Enjoy!!
If you want some endless fun, try and guess what the alternating order of our song choices is! Did Christina start, or did I? ENDLESS FUN.
1. My Aim is True--Elvis Costello
2. Son of a Gun--The Vaselines
3. Girls! Girls! Girls!--Liz Phair
4. Slow Dog--Belly
5. Black Saint Sinner Lady, Track A--Charles Mingus
Goodbye and goodnight!